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The Robert Hillestad Textiles Gallery
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  1. Nebraska
  2. College of Education and Human Sciences
  3. The Robert Hillestad Textiles Gallery
  4. Past Exhibitions

Selected Past Exhibitions


Joan Morris, Master Dyer: Individual and collaborative Work

Joan Morris, Master Dyer: Individual and collaborative Work

Monday, March 6, 2006 to Friday, March 31, 2006

The University of Nebraska-Lincoln's Robert Hillestad Textiles Gallery will showcase the artwork of Joan Morris. The exhibit, Joan Morris, Master Dyer: Individual and Collaborative Work, will be on display March 6th through March 31st

Read more about: Joan Morris, Master Dyer: Individual and collaborative Work

 

 


Carpet Beetles: Patterns from the Orient

Carpet Beetles: Patterns from the Orient

Friday, November 19, 2004 to Friday, December 17, 2004

Jennifer Angus, from the University of Wisconsin, Madison, will travel to Lincoln, NE the 3rd week of November to install her newest installation called Carpet Beetles: Patterns from the Orient. Departing from her work of the past four years, in which she has been creating installations composed of insects pinned directly to a wall in repeating patterns, Angus will create an installation at the Robert Hillestad Textiles Gallery, Nov. 19-Dec. 17, 2004, on large, low, floor pedestals. Angus uses real insects to reference pattern, both from textiles and wallpaper.

Read more about: Carpet Beetles: Patterns from the Orient

 

 


Complex Pattern: The Quilts of Ellen Oppenheimer

Complex Pattern: The Quilts of Ellen Oppenheimer

Monday, September 13, 2004 to Friday, October 8, 2004

Between September 15 and 19, 2004, Oakland, CA-based quilt artist Ellen Oppenheimer will visit the University of Nebraska – Lincoln campus in conjunction with the exhibition “Complex Pattern: The Quilts of Ellen Oppenheimer” in the Robert Hillestad Textiles Gallery (September 13 – October 8). The exhibition and the artist’s presentations, made possible in part by the Dept.

Read more about: Complex Pattern: The Quilts of Ellen Oppenheimer

 

 


Baroque Boat

John Garrett, Life in Progress

Monday, September 8, 2003 to Friday, October 17, 2003

John Garrett of Albuquerque, New Mexico interlaces such unlikely materials as brushed and painted aluminum and hardware cloth in a vessel and makes nets of metal, plastic, and glass. Process is central to this work where the artist explores new and complex weaving processes and experiments with the aging and decomposition of found metals. The Robert Hillestad Textiles Gallery will feature Garrett’s work in a solo exhibition September 8-October 17, 2003.

Read more about: John Garrett, Life in Progress

 

 


Radka Donnell: The Work of Touch

Radka Donnell: The Work of Touch

Friday, February 7, 2003 to Friday, March 7, 2003

Radka Donnell’s quilts break many of the rules that have governed how quilts were designed and made for much of the last two hundred years and longer. They pay little heed to grids or to symmetry. Their colors are riotously and impulsively juxtaposed. They eschew fine stitching in favor of the functional and the no-nonsense. They avoid the familiar small-scale, genteel prints normally associated with quilts in favor of large-scale, graphically assertive patterns. The bold surfaces of these fabrics compete with and against one another, in frenetic dances of exaggerated visual energy.

Read more about: Radka Donnell: The Work of Touch

 

 


The Fragmented Surface: Color, Light, Texture

The Fragmented Surface: Color, Light, Texture

Friday, March 8, 2002 to Tuesday, April 30, 2002

University of Nebraska Textiles, Clothing and Design Department will be enriched with the opening of Tim Harding's textile exhibition Fragmented Surface: Color, Light and Texture in the Robert Hillestad Gallery opening on March 8, 2002 at 7:00 p.m. Harding is a highly recognized fiber artist known for using bits of colored fabric as an impressionist painter uses brush strokes. When Harding takes a blade to his fabrics the outcome is dazzling color intermixed with what seem to be shadows and particles of light.

Read more about: The Fragmented Surface: Color, Light, Texture

 

 

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