MA - Costume History Option II
A minimum of 36 credit hours is required for the Master of Arts Degree, Option II program.
*Denotes courses open exclusively to graduate students.
Course | Credits |
TMFD 807 Dress (Fall only) |
3cr |
TMFD 808 Textiles, Technology & Culture (Spring only) |
3cr |
*TMFD 809 Museums: Theory and Practice (Even Years, Spring) |
3cr |
Course | Credits |
TMFD 810 Body, Dress & Identity (Spring only) |
3cr |
*TMFD 874 Theory Development (Fall odd years) |
1cr |
*TMFD 876 Material Culture Research Methods (Fall even years) |
3cr |
*TMFD 996 Research Other Than Thesis |
6cr |
Option II students are required to have a minor consisting of nine credits from one department. The Art & Art History Department requires that all courses be taken at UNL; none of the art & art history coursework may be transfer credits.
Course | Credits |
THEA 806 Costume Crafts |
3cr |
THEA 818 Costume Design 1 |
3cr |
THEA 819 Costume Design 2 |
3cr |
*THEA 835 Period Patterning |
3cr |
*HIST 842 Antebellum America 1800-1850 |
3cr |
*HIST 846 America in the Gilded Age |
3cr |
*HIST 847 Family History of the U.S. |
3cr |
Course | Credits |
*HIST 848 The Women's West |
3cr |
*HIST 849 Ideas in America to Civil War |
3cr |
*HIST 850 Ideas in America Since Civil War |
3cr |
AHIS 846 Art Since 1945 |
3cr |
AHIS 851 19th Century American Art |
3cr |
AHIS 852 American Art 1893-1939 |
3cr |
Suggested TMFD couses:
Course | Credits |
TMFD 803 Draping |
3cr |
*TMFD 818 Quilts, History, Culture |
3cr |
*TMFD 873 Design Perspectives & Issues (Alt Years) |
3cr |
TMFD 890 Workshop/Seminar |
1-3cr |
TMFD 892 Professional Study Tour (May only) |
2cr |
TMFD 896 Independent Study (Textiles) |
3cr |
Course | Credits |
*TMFD 814 Studio Craft Movement from Mid-century to DIY (online) (Fall odd years) |
3cr |
TMFD 815 Aesthetics and the Quilt (online) (Alt. Years) |
3cr |
TMFD 905D Special Topics |
1-6cr |
TMFD 978 Seminar in Textile History |
1-3cr |
*TMFD 997 Internship |
1-9cr |
Note: Students who elect the Costume History Option II track typically conduct curatorial research for an exhibition of historic dress in a campus gallery or museum or develop a body of historical reproduction garments for exhibition in the Hillestad Textiles Gallery or in a runway show